Friday, July 15, 2011

Dear Summer Institute

Dear Summer Institute,

            You say you wanna revolution?  We all wanna change the world.  The theme of revolution has been so completely woven into our summer institute.  We didn’t have words for it the first few days, but as the threads of our institute were woven together, we began to be able to name some of the development that was taking place.  For me, as a teacher, I am aware of just how closely our themes of revolution line up with our three strands of the teacher--writer, inquirer, and professional.  I think Melissa kicked off the revolution with her talk of social action, 

Rashid gave it a name through his demo, and each person contributed to it through their demos, discussions, and willingness to think. 

There is so much to talk about in this time, and I'm sure I could never ever cover it all or possibly even put words to my experiences here.  And our experiences here.  Because so much of what we did was corporate, shared, riffing off one another.    There's no way these thoughts can be segmented out, but to keep myself on track, I'll talk about the three strands and how it applies to my SI experience. 

Teacher as Writer

One of the areas that I’ve really been developing the most is through my development as a writer.  When we wrote our writing stories on the first day of SI, I started reflecting and the Murray cards pushed me to think about my stories.  I still am not “Writer.”  I think I’m a writer, but to claim the Writer identity is a scary thing for me.  

My digital writing history was a piece that pushed me to really reflect on why I "didn't" write for years outside of school.  On the first day I reflected, trying to figure out why I had always loved stories, but I never considered myself a writer:  Day 1 Reflection.   Here is where I started to push on the ideas that I saw weaving together of theater, reading, and stories.  I knew they were somehow all apart of my writer identity, but I couldn't quite put my finger on it yet.  

I branched out throughout the SI, pushing myself to write poetry--a genre that had previously scared me. For some reason it was too personal, too iffy.  However, during Rebecca's session about Scranimals, I pushed myself in writing a poem.  And it was something that was very personal, discussing my writing history and my mixed identity as a writer.  The Mustnotshouldbe Writer was shared on E-Anthology, and I was amazed at the number of comments that I got.  

My self-selected piece sprang out of the Murray cards.  By thinking back on my history as a storyteller, and my secret adventures in my "spot", I tried to push myself again to write outside my comfort zone.  I really struggled through the writing of this piece, because I was unsure of where to go.  It highlighted for me the anxiety that exists for me when I'm without boundaries.  I didn't know where to take this piece.  Using Cindy's revision strategies, I moved toward a double-voiced description.  

Seeing my stories with fresh eyes, re-visioning pushed me to see my writing with new eyes.  For me, this teacher as writer strand laid the groundwork for the revolution.

Teacher as Inquirer

Like I said earlier in this post, much of my writing history is connected to my acting history.  The improvisational warm-ups we did each day involved our body and minds.  The riffing circle was one that I particularly connected with, drawing on my theater experience with similar games.  It also allowed us to use each others' energy and ideas to create new moments of learning. 

 

These games pushed me to think about the performativity of the classroom and the links between theater and English.  This is an area that I am interested in pursuing beyond SI, and my discussions with Lil and others have enabled me to make use of my knowledge of theater (which I saw as separate from English) to enrich the classroom.  

My writing history also pushed me to see the links between storytelling as an actor and the written word of the classroom.  
As I'm inquiring about these things, I looked up several articles about performance, presence, and absence.  Similarly in the classroom, a teacher has presence in the classroom, and it is how they construct that presence (or lack thereof) that dictates the way that students respond to him/her and the classroom culture.  In this blog entry, I hashed out certain links that I was seeing and tried to make connections between my two worlds--realizing that they were one world that were all constructed by me.  

My grounding as a writer led me to my inquiry.  It grew out of my identity struggle as a writer, and SI caused me to reflect and to try to synthesize seemingly disjointed "Carrie" identities in a way that makes meaning.  

 Teacher as Professional


Thinking about the three strands of teaching, teacher as professional was the one that I was unsure about.  I didn't feel like much of a professional--I'm the baby of the group.  Would people really respect what I had to say?  Did I have anything to say?


Above is an illustration of me breathing out and breathing in with Sally about writing.  I was letting go of anxiety, fear of being the newby.  And this community welcomed me in, treating me as a professional and establishing the professional conversation which will be ongoing.  

 Ashley's demo marked a milestone for me.  My group watched a video about child homelessness in Florida.  Lacy, Jen, Aileen and I got upset.  I cried. I got mad.  We slammed sticky notes.  And we started to think of what we could do together. And what it meant to be educators in a world where this was reality.  And what it looked like to challenge that reality.

We thought we wanted . . . a revolution.

Similarly, as we moved into thinking about our portfolios, the assessment weight dragged us down.  We performed a tableau about assessment, once again links our minds and bodies, and my inquiry and work as a professional.

This day was one that I felt drew us together as professionals.  We all shared this burden together.  And then threw the next few days, we worked to find a way to revolt.


In this moment, I imagined the possibilities for revolution and what it looks like in response to and in conjunction with evolution.  An evolution seems easier and a more likely thing to hope for, but a revolution seems more effective.  As professionals, we banded together and decided to revolt.  But what would that look like?  I blogged about the soundtrack to the revolution in my mind and it became a multi-voiced discussion, including Lacy, Melissa, and Tony.  We compiled lyrics and music all about revolution.  

Similar to revolution collaboration, we shared ideas for lessons and professional development, like Aileen's Image Grammar demo.

 Dorry and Jen's demos on Thursday I felt were the peak of our professional collaboration.  Dorry asked us how we wanted to change teacher perception and made us brainstorm practical ways to do that.




Jen's demo on assessment pushed us for practical solutions to the question of assessment.  Brainstorming a list together and hearing about the things that we can do instead of the things we can't, opened up a word of possibilities.  

Telling our teacher stories and hearing that they mattered affirmed our unity as a group of teachers.  Years ago, I had written about feeling backed into a corner by the educational system.  But I wrote a line that stands out in my memory to this day.  I developed the thought that I was glad that in that corner I was not standing alone--there were others who had my back and who were willing to battle their way out with me.  I imagined the three musketeers, covering each other backs and working their way out of "tight" spots.  As professionals, we are better united.  

We say we want a revolution.  So let's change the world.  

Thank you, fellow SIers.  :)  We rock. 


Thursday, July 14, 2011

Hashbrown Casserole

Hey guys!  Here is the recipe for the hashbrown casserole that I brought in this morning.

WARNING: There is nothing in this that is very good for you.  Consider yourself warned.

Ingredients:
1 pkg frozen hashbrowns (I prefer shredded)
2 cans of cheddar cheese soup
1 16 oz. sour cream
2-3 cups shredded cheddar cheese (I like sharp)
1/4 tsp onion salt
1/4 garlic salt
1/2 stick butter (melted)
1 sleeve of saltine crackers

To do:

1) Preheat the oven to 350.

2) Grease the bottom of a baking dish--you can use glass or a cake pan.

3) Dump frozen hashbrowns into the pan, breaking up any big chunks.

4) Mix cheddar cheese soup, sour cream, garlic salt, and onion salt together in a bowl.  When completely mixed, dump over top of the hashbrowns.

5) Sprinkle the shredded cheese on top.  You can use more or less depending on the taste, but I like things cheesy!

6) Crush up the sleeve of crackers (I find it easier if you crush them while in the sleeve).  Dump 'em on top!

7) Melt the butter and then pour it over top.  This hopefully helps the crackers not burn.

8) Cook for 35-45 minutes.

Yum!  It's one of my favorites! :)




Wednesday, July 13, 2011

Day 7

Today, I've had "Revolution" by The Beatles stuck in my head.  Check out my earlier post about it.

And I guess I'm thinking:  DO we want a revolution?  And if so, what steps are we willing to take?  What lines are we willing to cross?  Megan's post about what we could actually do to improve our situation as teachers was very thought provoking to me today and stayed at the back of my mind with all my thoughts about revolution.

Today, I did my demo, and I was fascinated to hear the discussion about identity formation and specifically how we form ourselves in online spaces.  Aileen's question: "If you create an image of something [or yourself] can you revise it?" really made me wonder about the permanence of identities.  If we are constantly performing our identities and recreating them, how permanent are our identities?  But at the same time, people are people and impressions last a long time.  Like Rebekah mentioned in class today, we perceive people the way that knew them first/best.

I am really excited about the corporate aspect of our portfolio for SI.  The thinking we have done together has really influenced my independent take on things (if it's even possible for that to exist).  I think collaborating will enhance our views of the learning done in the time we've had together.

As I continue to think about my inquiry, I'm really into the performance aspect again of things that we've done this week.  Thinking today of the Circle of Oppresion, there was so much performance.  For instance, since I started in the center of the circle, I wanted to find my way out.  Once I had found a way out of the circle, I imagined myself to be motivated by the fact that I didn't want to re-enter the circle.  I wanted to avoid it at all costs--I knew what it was like to be on the inside and I didn't want any part of that--the need to seek approval from others and risk rejection.

In theater, we often talk about keeping up with the "inner dialogue" of the character--very similar to what Lil had us do today with the story of Charles.  You explore the characters thoughts that are going on under the surface of the character's lines or the narrative.  Though we call it stream-of-consciousness in the world of English, it serves the same purpose as inner dialogue in theater--letting you know what the character is thinking and moving beyond the surface level to character motivations and choices.

I'm still pulling pieces together.  And I was fascinated by our discussion of shaping identities today.  Thanks for really digging in with me and pushing me to reflect.  Awesome work, team! :)

You say you want a Revolution?

This morning, Sally asked us to reflect on our beef with the educational system.  We spent some time this week ranting and thinking about possible solutions.  And then Sally asked us--did we want an evolution or a revolution of the system?  She asked us to think about the potential of each in the world of school.  We imagined the possibilities and trying to figure out what these things would look like in the school.


And the whole time, this was all I could think:


"Revolution" by The Beatles


You say you want a revolution 
Well, you know 
We all want to change the world 
You tell me that it's evolution 
Well, you know 
We all want to change the world 
But when you talk about destruction 
Don't you know that you can count me out 
Don't you know it's gonna be all right 
all right, all right 

You say you got a real solution 
Well, you know 
We'd all love to see the plan 
You ask me for a contribution 
Well, you know 
We're doing what we can 
But when you want money 
for people with minds that hate 
All I can tell is brother you have to wait 
Don't you know it's gonna be all right 
all right, all right 


You say you'll change the constitution 
Well, you know 
We all want to change your head 
You tell me it's the institution 
Well, you know 
You better free your mind instead 
But if you go carrying pictures of chairman Mao 
You ain't going to make it with anyone anyhow 
Don't you know it's gonna be all right?






Jim Sturgess singing "Revolution" in Across the Universe

Tuesday, July 12, 2011

Day 6

Today I continued to mull over the performance aspect of the writing classroom.  The tableaux this morning was truly awesome.  I loved how we each performed our own thing but were inspired by others and were connected to them physically, through touch.  We had some parameters, but otherwise, it was mainly open to our interpretation of the word Lacy gave us.

The weight of assessment was really heavy as we performed our tableaux.  I know I was concerned about how to assess, and the idea of being assessed weighed heavily on me as we started to work on our portfolio yesterday.  We composed this picture of what assessment looked like to each of us individually, but also corporately, and I could feel the energy in the room.

Again, the performative quality of the writing comes through and the performative quality of teaching shines.  There is so much we have to perform each day and there is power in the choices that we make as teachers, writers, and performers.

Also, I'm very excited about our collaborative final portfolio.  I am really connected to the idea that we each get to write our individual reflection, detailing the specific ways we feel as though we have grown in our writerly identities.  But also, I love the idea that people could talk back to us about our reflections and just about our journeys together.  I could imagine that on this corporate website, we each have a page labeled with our name in a menu on the side.  Each page would then have two parts:  My reflection about me and then everyone's response to the learning that this person has been a part of with them.  For instance on my page, I'm envisioning a "Carrie about Carrie" page and then a section entitled "SIers talk back/about Carrie."  We could also have pages for the different sections ("analytical thinker" "questioners" etc) which we could post under and respond to each other.  Make sense?

The Page of the Stage

So, as my inquiry is developing over these two weeks, I'm thinking more and more about the links between theater performance and writing instruction.  So much of what we do in school is a performance--we are performing for grades, for teachers, for parents, etc.  This was part of my reaction yesterday whenever we started talking about our portfolios.  Though I know it's an attitude of positive excitement here, it still feels like school, and school can be scary.

I am wondering about the performativity of the classroom and the way this links with theater.  Many of the warm-ups that we have been doing this week are very similar to improv theater games.  In theater you use your body and your mind to interpret and create a story, and I have been enjoying how we have been doing the same in our SI.

Both theater and writing are creative acts. You write from yourself, writing yourself into being, constructing an identity.  From theater you create this character, who, in some way, is partly you.  The character can be as different from you as night and day, but you are pulling from your life experiences and the people you know, so you are writing another part of your life/story through that character.  You're writing selves.

A major portion of the construction on stage has to do with it's performative nature.  Think about all the different inflections of voice.  With the theater, you have lines written for you, but how you interpret them is very different.  For instance, we do a theater activity where we are given a simple sentence.  Then we ask students to accent the words differently each time they read it and to examine the different meanings.  Like as follows:

I didn't say that you said that. (But Sarah said you did)
I didn't say that you said that. (I really didn't!)
I didn't say that you said that. (But I thought it!)
I didn't say that you said that. (I said something else)
I didn't say that you said that. (I said that Rachel said it)
I didn't say that you said that. (But I think you were thinking it)
I didn't say that you said that.  (I said that you said this)

Each of these variations obviously has different meanings (some of which I interpreted after the sentence).  Much is also made of how the body is used to present the information as well.  Body language is a huge part of theater.

I'm also thinking about the parameters placed on both. With writing in school, we often have a prompt or a form that we're supposed to write in.  On stage there's a script that you're constrained by.  However, in both writing and theater, there's license for interpretation.  Writers construct their lives and their worlds through their writing on the stage.  Teacher and director both oversee what is going on and help to define the parameters of the show/piece.

Just a few connections I'm drawing.

Monday, July 11, 2011

Ranting and Writing

​This morning began our second week of Summer Institute.  First, Lil had us write about some things that really irked us about school.  Then we circled up in the middle of the room, as we have almost every day since SI began.  This morning's warm-up was a rant.  We stood in a circle as Lil and Lacy explained the rules.  Everyone would face outward in the circle except when they felt moved to rant.  Whoever was ranting had to continue to do so until the next person jumped in to start their ranting topics.  

Our rants ranged from everything to parents' rights about students' education to breast milk to money to buy Daybooks for our students.  Though we had our backs turned to the center of the circle, I felt that we really supported one another as we each jumped in venting about how we felt about the topic at hand.  Then once the activity had been brought to a close by a lovely demonstration of a teacher robot complete with motions and voice ("Feed me pacing guides.  Yum yum.") we began to brainstorm about how the activity could be used in our classes.

​I suggested that we use it for students to talk about a reading that might have been difficult for them, allowing them to get their ideas going as they pondered what they had read.  We also talked about how it could be a great way to let students just talk about what they have a passion for, showing them that they are the experts on something.  
After some ranting, Aileen began her demonstration based on Harry Noden's book ​Image Grammar.  ​After walking through some major concepts of the book, Aileen had us do some sample activities of working with appositives, adjectives out of order, etc.  She also made us a handy little foldable that will remind us of what we learned.
When Aileen's demo was over, we launched into a pretty awesome discussion about the way we discuss grammar.  One of the comments that came up was how frightening some of the terminology was to use--things like absolutes and participles.  However, it was easy to see how they enhanced writing and were easy to play with once we got over the terms.  
Aileen's demo led us nicely into Tara's demo about Writing Circles.  We chose a social studies topic that we were interested in and then began to work in groups.  As a group we picked a large idea that we would focus on.  Then, each of us wrote individually and we responded to each other's pieces.  Then each group shared out one of the pieces.  One group wrote about the Casey Anthony trial, one about the devastation from Katrina, one about revolution, one about conflict, and my group wrote about poverty.  As we wrapped up the demo, the discussion turned to genres--whether they were merely "containers" to pick and choose from or the other aspects of them we had to consider when using them as writers.  
After lunch we discussed articles from 4 different authors about assessment.  We moved into groups, examining the articles with others who had read the same one.  Then Sally "jigsawed" us until we had someone from each article group talking to each other.  We channeled our authors, arguing with one another and looking how our views intersected and pressed on each other.  
The last thing we worked on was beginning work on our portfolio for SI.  I can't believe SI only has 4 days left!   But it's exciting to go ahead and start looking at all the learning that has taken place.  
A lot of questions were raised today, and some good conversations were had.  More to come as I reflect later this evening about my inquiry. :)